tag:blogger.com,1999:blog-20506677789509297052024-03-13T07:54:43.693-07:00The Lisbon Explorer BlogThe Lisbon Explorer Blog:
Observations, Ambulations, and Speculations by Paolo Scheffer,
www.lisbonexplorer.comLisbon Explorer Bloghttp://www.blogger.com/profile/07308062527128415822noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-2050667778950929705.post-77120492126281298912014-06-05T04:33:00.000-07:002014-06-05T04:33:10.544-07:00A Foodie City Gets It!Mercado da Ribeira and TimeOut Magazine Score a Hit in Lisbon<br />
<br />The largest central farmers market in Lisbon, Mercado da Ribeira has been the city's main market since it opened in 1892 with a grand oriental dome.<br />
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Inside is a massive pavilion where you can watch fresh seafood from the Azores Islands to Norway being snatched up by locals and restauranteurs haggling for the best price. Although the financial crisis and wholesale, discount chain stores had reduced this once thriving market to a handful of diehard vendors, in 2014 it's management was taken over by TimeOut Lisboa magazine, with a bold a
project that was finally realized last week and opened to the public with much anticipation.<br />
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The Mercado da Ribeira now hosts a lively food pavilion with over 30 top chefs, Lisbon eateries and famous shops, some of which have supplied Lisboetas with savory foodstuffs for over a century. Inside is a beautifully designed 500 seat dining area that gets bustling around 9:00pm, but not to worry because there are another 200 seats outside on the terrace where seafood and light snacks alike can be enjoyed beside the park in Dom Luis Square.<br />
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There are no fast food stands, no trans-Euro franchises, and none of those awful umbrellas and plastic chairs sporting logos for sodas and beers. This shows how Lisbon takes its food seriously and the plans for more are in the works. There will also be a space dedicated to cultural activities on the first floor that will open in September 2014. There will be an auditorium capable of seating 300 people as well as a bar and restaurant. TimeOut is already organizing small cultural events with artists and musicians to liven up the summer and fall nights in 2014.<br />
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Come check out everything from traditional Portuguese sandwiches like the Prego, or Bifana, or fresh Atlantic seafood and fish dishes, an excellent selection of local wines, cheeses and even some ethnic eateries from former Portuguese colonies where the kitchens or Portugal and other countries have combined over time to create their own unique cuisine. There are renowned chefs sporting stars, and start ups who won a competition hosted by TimeOut to receive a coveted place in the market food pavilion.<br />
<br />The Mercado da Ribeira food pavilion is open from 10AM to midnight<span class="" id="result_box" lang="en"><span title="A parte tradicional do Mercado da Ribeira vai continuar com o horário normal, enquanto o espaço da Time Out vai abrir às 10h e fechar à meia-noite, excepto às quintas, sextas e sábados, em que se estenderá até às duas da manhã.
"> On Thursdays, Fridays and Saturdays it is open until 2:00am in the morning.</span></span> Located on the ground floor on the west side of the pavilion. The address is Rua da Ribeira Nova, 18.<br />
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<br />Lisbon Explorer Bloghttp://www.blogger.com/profile/07308062527128415822noreply@blogger.com0tag:blogger.com,1999:blog-2050667778950929705.post-21289483083199481892014-03-05T06:37:00.000-08:002014-03-06T03:30:24.212-08:00 The Abandoned and The CondemnedOn December 5 in 1872 the Mary Celeste, a Canadian-built,
American-owned merchant ship was speeding across the Atlantic from the
Azores Islands towards Gibraltar with sails at full mast.<br />
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However,
when it was sighted 1,000 km from the coast of Portugal by the crew of
the Dei Gratia, a Canadian brigantine, they discovered the Mary Celeste was abandoned,
completely unmanned of any crew mates. Although the weather was fine
and there was no damage to the ship, nor any distress flags, when Oliver Deveau, Chief Mate of the Dei Gratia, boarded the Mary Celeste. On board he
discovered something even more bizarre. All of the ship's papers were
missing, except for the captain's logbook. The ship's clock was not
functioning, and the compass was destroyed; the sextant and marine
chronometer were missing. A six-month supply of uncontaminated food and
fresh water was still aboard, and the crew's personal possessions and
artifacts were left untouched, making a piracy raid seem extremely
unlikely. It appeared the vessel had been abandoned in a hurry. There
was no sign of a struggle, or of any sort of violence.<br />
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I
find this one of the more mysterious and intriguing stories
related to Portugal's maritime history, and the unusual circumstances
have given rise to all kinds of explanations for the ships abandonment,
ranging from alien abduction to mutiny, and a variety of hoaxes. Even
Conan Doyle presented a theory on what had happened in a poplar magazine
article.<br />
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Today, the coast and interior of Portugal
offer similar sights that intrigue me like the story of the Mary
Celeste. The vast number of abandoned estates, homes and buildings
throughout Portugal offers a starting point for exploration into our
past and present, where many mysteries unfold in the emptiness of
these decaying spaces.<br />
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In the capital of Lisbon alone
there are over 6000 condemned properties, according to the Superintendent of the city. Buildings in populated areas of Porto, Algarve and even in remote areas are being condemned faster than they are
restored, which represents a growing trend across Europe as the
financial crisis compounds the problem of maintaining our heritage. Vast numbers of citizens are moving to the
city-suburbs for work, or immigrating to other countries for
greater opportunities and new beginnings.<br />
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The politics and economics behind this growing trend are complex, and with over 11 million abandoned, or vacant homes in Europe right now there are more than double the number of homes for every homeless person in Europe. Why are prices not dropping in a stagnant economic crisis where a supply of abandoned homes on the market far exceeds the demand? This question leads to as many explanations as there are for the mysterious abandonment of the Mary Celeste.<br />
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Below are some of my favorite places abandoned or condemned around Portugal today. In their sad state of decay, I hope for their rehabilitation before it is too late to save them, and at the same time I enjoy the beauty they possess, expressing our impermanence and struggle to remain present.<br />
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<b><span _mstdst="1_0:7" _mstsrc="1_0:9" class="dhighlight" id="Dst[1][0:9:0:7]">Hotel da</span> <span _mstdst="1_9:11" _mstsrc="1_11:13" class="" id="Dst[1][11:13:9:11]">Foz</span> <span _mstdst="1_13:20" _mstsrc="1_15:22" class="" id="Dst[1][15:22:13:20]">da Sertã</span></b><span _mstdst="1_81:92" _mstsrc="1_86:95" class="" id="Dst[1][86:95:81:92]">, located in the </span><span _mstdst="1_81:92" _mstsrc="1_86:95" class="" id="Dst[1][86:95:81:92]"><span _mstdst="1_177:197" _mstsrc="1_175:195" id="Dst[1][175:195:177:197]">region of Cernache do Bonjardim</span>on, on </span><span _mstdst="1_94:105" _mstsrc="1_97:107" class="" id="Dst[1][97:107:94:105]">the banks</span> <span _mstdst="1_107:112" _mstsrc="1_109:110" class="" id="Dst[1][109:110:107:112]">of the</span> <span _mstdst="1_114:122" _mstsrc="1_112:120" id="Dst[1][112:120:114:122]">Albufeira</span> <span _mstdst="1_124:125" _mstsrc="1_122:123" id="Dst[1][122:123:124:125]">of</span> <span _mstdst="1_127:136" _mstsrc="1_125:134" id="Dst[1][125:134:127:136]">Castelo do</span> <span _mstdst="1_138:141" _mstsrc="1_136:139" id="Dst[1][136:139:138:141]">Bode</span> n<span _mstdst="1_233:247" _mstsrc="1_229:242" class="" id="Dst[1][229:242:233:247]">ear the bridge</span> <span _mstdst="1_249:250" _mstsrc="1_244:245" id="Dst[1][244:245:249:250]">of</span> <span _mstdst="1_252:258" _mstsrc="1_247:253" class="" id="Dst[1][247:253:252:258]">Vale da</span> <span _mstdst="1_260:263" _mstsrc="1_255:258" class="" id="Dst[1][255:258:260:263]">Ursa</span> stands a four story hotel with 44 rooms and several apartments.<span _mstdst="0_10:22" _mstsrc="0_8:21" id="Dst[0][8:21:10:22]"> After the Carnation revolution </span><span _mstdst="0_24:32" _mstsrc="0_23:31" id="Dst[0][23:31:24:32]">on </span> <span _mstdst="0_34:47" _mstsrc="0_33:51" id="Dst[0][33:51:34:47]">April 25, 1974</span>, the place was abandoned <span _mstdst="0_50:54" _mstsrc="0_54:62" id="Dst[0][54:62:50:54]">after</span> <span _mstdst="0_56:57" _mstsrc="0_64:65" id="Dst[0][64:65:56:57]">an</span> <span _mstdst="0_59:67" _mstsrc="0_67:82" id="Dst[0][67:82:59:67]">agreement</span> <span _mstdst="0_69:75" _mstsrc="0_84:91" id="Dst[0][84:91:69:75]">to use it as</span> <span _mstdst="0_77:89" _mstsrc="0_93:102" class="" id="Dst[0][93:102:77:89]">accommodation</span> <span _mstdst="0_91:106" _mstsrc="0_104:117" class="" id="Dst[0][104:117:91:106]">to the returnees</span> <span _mstdst="0_108:115" _mstsrc="0_119:121" id="Dst[0][119:121:108:115]">from the</span> <span _mstdst="0_117:131" _mstsrc="0_123:133" id="Dst[0][123:133:117:131]">former colonies</span> <span _mstdst="0_133:144" _mstsrc="0_135:146" id="Dst[0][135:146:133:144]">of Portugal.</span> <span _mstdst="0_146:155" _mstsrc="0_148:159" id="Dst[0][148:159:146:155]">Afterward the</span> <span _mstdst="0_161:165" _mstsrc="0_163:167" id="Dst[0][163:167:161:165]">hotel</span> <span _mstdst="0_167:171" _mstsrc="0_169:175" id="Dst[0][169:175:167:171]">began</span> <span _mstdst="0_173:182" _mstsrc="0_177:188" class="" id="Dst[0][177:188:173:182]">to fall into such as state of </span><span _mstdst="0_192:202" _mstsrc="0_193:202" class="" id="Dst[0][193:202:192:202]">disrepair</span> <span _mstdst="0_204:211" _mstsrc="0_208:216" class="" id="Dst[0][208:216:204:211]"></span><span _mstdst="0_213:221" _mstsrc="0_218:223" class="" id="Dst[0][218:223:213:221]">the owner</span> was driven to<span _mstdst="0_223:232" _mstsrc="0_225:235" class="" id="Dst[0][225:235:223:232]"> suicide</span>.</div>
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<a href="http://www.aguas.ics.ul.pt/castelobranco_fserta.html" target="_blank">http://www.aguas.ics.ul.pt/castelobranco_fserta.html </a></div>
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<b>The Sanatório do Caramulo</b>, located in Tondela is <span _mstdst="1_0:17" _mstsrc="1_0:12" class="dhighlight" id="Dst[1][0:12:0:17]">one of the</span> <span _mstdst="1_19:20" _mstsrc="1_14:15" id="Dst[1][14:15:19:20]">19</span> sanitariums<span _mstdst="1_32:38" _mstsrc="1_28:35" id="Dst[1][28:35:32:38]"></span> <span _mstdst="1_40:50" _mstsrc="1_37:47" id="Dst[1][37:47:40:50]">in Caramulo</span>. <span _mstdst="1_53:55" _mstsrc="1_50:50" id="Dst[1][50:50:53:55]">A </span><span _mstdst="1_81:86" _mstsrc="1_67:74" class="" id="Dst[1][67:74:81:86]">resort</span><span _mstdst="1_89:99" _mstsrc="1_88:97" class="" id="Dst[1][88:97:89:99]"> created</span> <span _mstdst="1_101:102" _mstsrc="1_99:100" id="Dst[1][99:100:101:102]">in</span> <span _mstdst="1_104:107" _mstsrc="1_102:105" id="Dst[1][102:105:104:107]">1921</span> <span _mstdst="1_158:158" _mstsrc="1_146:146" id="Dst[1][146:146:158:158]"></span><span _mstdst="1_160:179" _mstsrc="1_148:163" id="Dst[1][148:163:160:179]">was the first</span> <span _mstdst="1_181:184" _mstsrc="1_165:168" class="" id="Dst[1][165:168:181:184]">town</span> in Portugal <span _mstdst="1_186:192" _mstsrc="1_170:180" class="" id="Dst[1][170:180:186:192]">to have</span> <span _mstdst="1_194:207" _mstsrc="1_182:200" class="" id="Dst[1][182:200:194:207]">sanitation and</span> <span _mstdst="1_209:219" _mstsrc="1_202:214" class="" id="Dst[1][202:214:209:219]">electricity</span>. The vision of D<span _mstdst="1_222:225" _mstsrc="1_217:220" id="Dst[1][217:220:222:225]"></span><span _mstdst="1_255:256" _mstsrc="1_248:251" class="" id="Dst[1][248:251:255:256]"></span><span _mstdst="1_258:263" _mstsrc="1_253:258" class="" id="Dst[1][253:258:258:263]">r</span>. <span _mstdst="1_265:272" _mstsrc="1_260:267" id="Dst[1][260:267:265:272]">Jerónimo</span> <span _mstdst="1_274:283" _mstsrc="1_269:278" id="Dst[1][269:278:274:283]">de Lacerda</span>, was to<span _mstdst="1_286:298" _mstsrc="1_281:292" class="" id="Dst[1][281:292:286:298]"> </span>create a healing environment for <span _mstdst="1_311:327" _mstsrc="1_308:321" class="" id="Dst[1][308:321:311:327]">treating patients</span> <span _mstdst="1_329:332" _mstsrc="1_323:325" id="Dst[1][323:325:329:332]">with</span> <span _mstdst="1_334:345" _mstsrc="1_327:337" class="" id="Dst[1][327:337:334:345]">tuberculosis</span>.</div>
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<a href="https://sites.google.com/site/faceocultadeportugal/centro/sanatorios-do-caramulo" target="_blank">https://sites.google.com/site/faceocultadeportugal/centro/sanatorios-do-caramulo </a></div>
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<b> </b><b>Palácio do Rei do lixo ou Torre do Inferno</b>, (<span _mstdst="0_0:17" _mstsrc="0_0:13" class="" id="Dst[0][0:13:0:17]">The Palace of the King</span> <span _mstdst="0_19:20" _mstsrc="0_15:16" class="" id="Dst[0][15:16:19:20]">of</span> <span _mstdst="0_22:26" _mstsrc="0_18:21" class="" id="Dst[0][18:21:22:26]">Trash</span>, <span _mstdst="0_28:29" _mstsrc="0_23:24" class="" id="Dst[0][23:24:28:29]">or</span> <span _mstdst="0_31:46" _mstsrc="0_26:41" class="" id="Dst[0][26:41:31:46]">Towering Infern</span>, located in Coina. This <span _mstdst="1_0:11" _mstsrc="1_0:12" class="dhighlight" id="Dst[1][0:12:0:11]">strange</span> <span _mstdst="1_13:17" _mstsrc="1_14:18" id="Dst[1][14:18:13:17]">tower</span> has become an unoffical<span _mstdst="1_61:70" _mstsrc="1_66:73" class="" id="Dst[1][66:73:61:70]"> landmark</span> <span _mstdst="1_72:84" _mstsrc="1_75:83" class="" id="Dst[1][75:83:72:84]">of the region</span>. <span _mstdst="1_94:98" _mstsrc="1_90:106" class="" id="Dst[1][90:106:94:98]">Built</span> <span _mstdst="1_100:108" _mstsrc="1_108:117" class="" id="Dst[1][108:117:100:108]">by Manuel</span> <span _mstdst="1_110:116" _mstsrc="1_119:125" id="Dst[1][119:125:110:116]">Martins</span> <span _mstdst="1_118:129" _mstsrc="1_127:138" class="" id="Dst[1][127:138:118:129]">Gomes Júnior</span>, <span _mstdst="1_132:139" _mstsrc="1_142:155" class="" id="Dst[1][142:155:132:139]">known as</span> "The <span _mstdst="1_141:144" _mstsrc="1_157:159" id="Dst[1][157:159:141:144]">King</span> <span _mstdst="1_146:157" _mstsrc="1_161:167" id="Dst[1][161:167:146:157]">of the Trash</span>" <span _mstdst="1_159:169" _mstsrc="1_168:179" id="Dst[1][168:179:159:169]">in order to</span> <span _mstdst="1_171:178" _mstsrc="1_181:193" id="Dst[1][181:193:171:178]">show his</span> <span _mstdst="1_180:189" _mstsrc="1_195:208" class="" id="Dst[1][195:208:180:189]">greatness.</span> <span _mstdst="1_191:201" _mstsrc="1_210:229" class="" id="Dst[1][210:229:191:201]">Some say he</span> <span _mstdst="1_203:207" _mstsrc="1_231:239" id="Dst[1][231:239:203:207]">built</span> <span _mstdst="1_209:218" _mstsrc="1_241:249" class="" id="Dst[1][241:249:209:218]">the Palace</span> <span _mstdst="1_220:226" _mstsrc="1_251:258" id="Dst[1][251:258:220:226]">so that</span> <span _mstdst="1_228:235" _mstsrc="1_260:270" id="Dst[1][260:270:228:235]">he could</span> <span _mstdst="1_237:243" _mstsrc="1_272:280" id="Dst[1][272:280:237:243]">see the</span> <span _mstdst="1_245:252" _mstsrc="1_282:292" id="Dst[1][282:292:245:252]">property</span> <span _mstdst="1_254:261" _mstsrc="1_294:304" id="Dst[1][294:304:254:261]">he owned</span> <span _mstdst="1_263:264" _mstsrc="1_306:307" id="Dst[1][306:307:263:264]">in</span> <span _mstdst="1_266:279" _mstsrc="1_309:322" class="" id="Dst[1][309:322:266:279]">Alcácer do Sal</span>.</div>
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<a href="https://sites.google.com/site/faceocultadeportugal/lisboa/palacio-do-rei-do-lixo" target="_blank">https://sites.google.com/site/faceocultadeportugal/lisboa/palacio-do-rei-do-lixo </a></div>
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<b>The Castelo da Dona Chica</b>, located in Braga <span _mstdst="1_0:13" _mstsrc="1_0:13" class="" id="Dst[1][0:13:0:13]">is a beautiful</span>, ornate Gothic-inspired<span _mstdst="1_15:24" _mstsrc="1_15:25" class="" id="Dst[1][15:25:15:24]"> castle</span> <span _mstdst="1_26:30" _mstsrc="1_27:43" class="" id="Dst[1][27:43:26:30]">built</span> <span _mstdst="1_32:33" _mstsrc="1_45:47" class="" id="Dst[1][45:47:32:33]">by</span> <span _mstdst="1_35:41" _mstsrc="1_49:57" class="" id="Dst[1][49:57:35:41]">Frances</span> <span _mstdst="1_43:49" _mstsrc="1_59:65" class="" id="Dst[1][59:65:43:49]">Peixoto</span> <span _mstdst="1_51:58" _mstsrc="1_67:74" id="Dst[1][67:74:51:58]">de Sousa</span> <span _mstdst="1_60:61" _mstsrc="1_76:77" id="Dst[1][76:77:60:61]">in</span> <span _mstdst="1_63:66" _mstsrc="1_79:82" id="Dst[1][79:82:63:66]">1915</span>. T<span _mstdst="1_77:85" _mstsrc="1_96:103" id="Dst[1][96:103:77:85]">he works</span> <span _mstdst="1_87:93" _mstsrc="1_105:114" class="" id="Dst[1][105:114:87:93]">dragged</span> on <span _mstdst="1_95:97" _mstsrc="1_115:121" id="Dst[1][115:121:95:97]">for</span> <span _mstdst="1_99:105" _mstsrc="1_123:129" class="" id="Dst[1][123:129:99:105]">decades</span>, <span _mstdst="1_108:110" _mstsrc="1_132:132" id="Dst[1][132:132:108:110]">and</span> <span _mstdst="1_112:115" _mstsrc="1_134:138" class="" id="Dst[1][134:138:112:115]">costs became so out of control that</span> <span _mstdst="1_126:128" _mstsrc="1_149:150" class="" id="Dst[1][149:150:126:128]">the</span> <span _mstdst="1_130:143" _mstsrc="1_152:170" class="" id="Dst[1][152:170:130:143]">owners abandoned the </span><span _mstdst="1_145:151" _mstsrc="1_172:176" class="" id="Dst[1][172:176:145:151]">mansion.</span><br />
<span _mstdst="1_145:151" _mstsrc="1_172:176" class="" id="Dst[1][172:176:145:151]"><a href="http://en.wikipedia.org/wiki/Castle_of_D._Chica" target="_blank">http://en.wikipedia.org/wiki/Castle_of_D._Chica </a></span><br />
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<span _mstdst="1_145:151" _mstsrc="1_172:176" class="" id="Dst[1][172:176:145:151]"><b>Casa do Professor ou Quinta do Parreira</b>, (</span><span _mstdst="0_0:12" _mstsrc="0_5:16" class="" id="Dst[0][5:16:0:12]">The teacher's</span> <span _mstdst="0_14:18" _mstsrc="0_0:3" class="" id="Dst[0][0:3:14:18]">house</span> <span _mstdst="0_20:21" _mstsrc="0_18:19" id="Dst[0][18:19:20:21]">or</span> Estate of <span _mstdst="0_36:36" _mstsrc="0_40:40" class="dhighlight" id="Dst[0][40:40:36:36]">Grape leaves)</span><span _mstdst="0_37:55" _mstsrc="0_42:60" class="" id="Dst[0][42:60:37:55]">. </span><span _mstdst="1_0:0" _mstsrc="1_0:2" class="" id="Dst[1][0:2:0:0]">A</span> <span _mstdst="1_2:10" _mstsrc="1_9:18" class="" id="Dst[1][9:18:2:10]">beautiful</span> <span _mstdst="1_12:16" _mstsrc="1_4:7" class="" id="Dst[1][4:7:12:16]">House</span><span _mstdst="1_17:23" _mstsrc="1_19:23" class="" id="Dst[1][19:23:17:23]">, which</span> <span _mstdst="1_25:27" _mstsrc="1_25:28" class="" id="Dst[1][25:28:25:27]">had</span> <span _mstdst="1_29:42" _mstsrc="1_30:49" class="" id="Dst[1][30:49:29:42]">several owners</span> <span _mstdst="1_44:57" _mstsrc="1_51:67" class="dhighlight" id="Dst[1][51:67:44:57]">over the years</span>. <span _mstdst="1_60:68" _mstsrc="1_70:77" class="" id="Dst[1][70:77:60:68]">The names</span> <span _mstdst="1_70:83" _mstsrc="1_79:89" class="" id="Dst[1][79:89:70:83]">by which it is</span> <span _mstdst="1_85:89" _mstsrc="1_91:99" class="" id="Dst[1][91:99:85:89]">known</span> <span _mstdst="1_91:96" _mstsrc="1_101:109" class="" id="Dst[1][101:109:91:96]">due to</span> <span _mstdst="1_98:100" _mstsrc="1_111:114" class="" id="Dst[1][111:114:98:100]">two</span> <span _mstdst="1_102:114" _mstsrc="1_116:137" class="" id="Dst[1][116:137:102:114]">of its owners</span>.<span _mstdst="0_0:2" _mstsrc="0_0:4" class="" id="Dst[0][0:4:0:2]"> Its</span> <span _mstdst="0_4:14" _mstsrc="0_6:26" class="" id="Dst[0][6:26:4:14]">first owner</span> <span _mstdst="0_16:18" _mstsrc="0_27:37" id="Dst[0][27:37:16:18]">was</span> <span _mstdst="0_20:30" _mstsrc="0_39:44" id="Dst[0][39:44:20:30]">a man named</span> <span _mstdst="0_32:34" _mstsrc="0_46:51" id="Dst[0][46:51:32:34]">Doc</span> <span _mstdst="0_36:37" _mstsrc="0_53:58" id="Dst[0][53:58:36:37]">Ab</span>, <span _mstdst="0_40:42" _mstsrc="0_61:63" id="Dst[0][61:63:40:42]">was</span> <span _mstdst="0_44:55" _mstsrc="0_65:80" id="Dst[0][65:80:44:55]">a well-known</span> <span _mstdst="0_64:76" _mstsrc="0_89:97" id="Dst[0][89:97:64:76]">in the region</span> <span _mstdst="0_78:80" _mstsrc="0_99:99" id="Dst[0][99:99:78:80]">and</span> <span _mstdst="0_82:98" _mstsrc="0_101:117" class="" id="Dst[0][101:117:82:98]">a wealthy landowner</span> <span _mstdst="0_101:111" _mstsrc="0_120:129" id="Dst[0][120:129:101:111]">who </span><span _mstdst="0_130:142" _mstsrc="0_154:166" id="Dst[0][154:166:130:142]">provided aid</span> <span _mstdst="0_144:160" _mstsrc="0_168:187" id="Dst[0][168:187:144:160]">to the most needy</span> peasants of the <span _mstdst="0_162:171" _mstsrc="0_189:200" class="" id="Dst[0][189:200:162:171]">countryside</span>, <span _mstdst="0_174:187" _mstsrc="0_203:221" class="" id="Dst[0][203:221:174:187]">even providing them</span> <span _mstdst="0_189:198" _mstsrc="0_223:229" id="Dst[0][223:229:189:198]">employment</span> <span _mstdst="0_200:217" _mstsrc="0_231:250" id="Dst[0][231:250:200:217]">on other properties that</span> he owned.<br />
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<a href="http://ruinarte.blogspot.pt/2013/02/aquinta-do-parreira-ou-casa-do.html" target="_blank">http://ruinarte.blogspot.pt/2013/02/aquinta-do-parreira-ou-casa-do.html </a></div>
<br />Lisbon Explorer Bloghttp://www.blogger.com/profile/07308062527128415822noreply@blogger.com0tag:blogger.com,1999:blog-2050667778950929705.post-14092329681870269912014-01-25T18:55:00.000-08:002014-02-25T22:11:01.936-08:00The Other Side of FadoMost well-heeled travelers headed to Lisbon will have heard about our brand of local folk music called Fado, meaning "Fate".<br />
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Formally recognized in the 19th century, and UNESCO protected as “Intangible Heritage” today, the music is filled with melancholy, deep emotional longing and evoking the multicultural influences that have formed contemporary Portuguese culture over the centuries. It's roots are in the islands of west Africa, carrying melodies influenced by Arabo-Hispanic troubadours with a residue of Ladio influences from Sephardic communities.<br />
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In recent decades scores of music lovers have been seduced by Fadistas like Amália Rodrigues, known as the "Rainha do Fado" (Queen of Fado), who cemented its position in the international World Music circuits until her passing in 1999. Today, performers like Mariza are packing theaters around the world to be seduced by her re-invented Fado, or Cristina Branco, and Ana Moura representing a new generation of talented Fado interpreters.<br />
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Catching a Fado show in Lisbon is an essential cultural excursion that everyone should make at least once. However, much like a Flamenco show in Spain, there are more than a fair share of tourist traps to avoid with over-priced, mediocre dinners and equally inferior musicians. Knowing exactly where to catch a really good Fado concert is a matter of knowing who is playing where, and what places can serve up a decent traditional Portuguese dinner at a reasonable price. This is best accomplished by asking a local who is enthusiastic about Fado, directing you to a place that hotel concierges, or a guide books won’t usually mention.<br />
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If getting high on feeling low with depressing folk music is not your thing, or if you just want to steep yourself deeper into modern Portuguese culture, than the culturally curios will be happily rewarded discovering some of our more contemporary musicians, from rock to indie-style alternative and Jazz, there is a lot for music lovers. And, true to Portuguese form, the promotion of these bands, like our wine, beaches and cuisine rarely receive the attention they deserve outside of Portugal, but for those who are brave enough to make the leap, the music of Portugal will more than satisfy.<br />
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Emblematic of this is Deolinda a quartet band founded in 2006 when brothers Pedro da Silva Martins and Luis José Martins (formerly of the band 7-Headed Beast) invited their cousin, Ana Bacalhau, to sing with them. Ana’s vocal styling brings all the syrup and tenor of a traditional Portuguese Fadista, but she and the band will surprise you with upbeat and catchy melodies, full of irony and humor without the black dress-formality of Fado. Their 2013 hit "Seja Agora" is a good example.<br />
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<span style="font-size: x-small;"><span style="color: blue;"> Deolinda- Seja Agora</span></span><br />
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The Poppers in their song Drynamill will take you back to recent decades when record companies were run by music lovers, not lawyers and accountants who pursued pretty boy bands and female artists with names like Britney and Katie who count on revenue from 14 year old girls. If you want something like that, check out a young woman with some pop integrity, named Susana Félix and her track "Já foi”.<br />
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<span style="color: blue;"><span style="font-size: xx-small;"> <span style="font-size: x-small;"> </span></span><span style="font-size: x-small;">The Poppers in their song Drynamill </span></span><br />
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Madredeus is more of a musical ensemble, making music that combines traditional Portuguese elements. They came on to the wold music scene in the late 1980’s and through breakups and reformations the band still makes meaningful harmonic and rhythmic tunes that will haunt you.<br />
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For those who like their folk music a little more grungy and understated, Dead Combo is a dou dressed as a caretaker and a gangster who mix fado with spaghetti western-inspired music that you might imagine in a Quentin Tarantino film. You just have to listen to appreciate, because words can’t do justice.<br />
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<span style="font-size: x-small;"><span style="color: blue;"> Dead Combo- Cuba 1970</span></span><br />
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The next time you are surfing iTunes, or in Lisbon, give them a listen and take your time talking to locals about where they go for Fado.Lisbon Explorer Bloghttp://www.blogger.com/profile/07308062527128415822noreply@blogger.comLisbon, Portugal38.7222524 -9.139336599999978738.6231754 -9.3006980999999787 38.8213294 -8.9779750999999788